Christa Scott-Reed commands the stage as Einstein’s inquisitor, the reporter, who has a story of her own to reveal. She’s a good balance for Dreyfuss and they work so well together.

– The Westfield News

Christa Scott-Reed has the physical bearing and snappy tone of Katherine Hepburn, peppering Dreyfuss’ Einstein with questions and accusations.

– Hartford Courant

Ms. Scott-Reed’s performance as Margaret Harding, the mysterious visitor was equal parts raw emotion and determination…a moving and thought-provoking night of theatre.

– Broadway World

Both [the costs of social conformity and the process of sexual awakening] are embodied in the show’s most arresting performance, Christa Scott-Reed’s turn as Anne…Scott-Reed makes Anne an appropriately maternal taskmaster in her opening scenes, then proceeds to unravel with skill and subtlety.

– Backstage

In one of the last scenes, Isabelle finally has a heart-to-heart with the tightly wound Anne –  brilliantly embodied by Scott-Reed – and these few minutes are more compelling than any before or after.

– Theatremania

Infinitely thought-provoking…Three actors play all the characters. Christa Scott-Reed achieves the most distinctly different interpretations, in roles ranging from a serene spirit guide to a ghost who does nothing but grumble…Three strong performances…consistently intriguing.

– New York Times

The three fine actors, jumping from character to character with the ease of acrobats, do full justice to Lewis’ text.  Scott-Reed is devastating as the grief-stricken mother, but the ease with which she handles much different characters gives the true measure of her skill….the performances are first-rate.

– D.C. Theatre Scene

The format gives the talented actors lots to do, and each of them rises superbly to the challenge.  Scott-Reed gives a particularly insightful, unnerving rendition of a ruthless social climber who drove her husband to a nervous breakdown, and whose idea of heaven is having him back under her thumb.

– D.C. Metro Theatre Arts

On Golden Pond features the finest performances I’ve seen on stage this season… Keir Dullea’s exceptional performance…depicts a throwback, yes, but also an emblem – if not an icon – of a past generation. As his long-suffering wife and daughter, Mia Dillon and Christa Scott-Reed contribute performances of equal magnitude. Dillon glows with adoration and matronly care, and Scott-Reed tempers the backlash from her hurt with slivers of vulnerability.

– Philadelphia Inquirer